QIO [2007- ]

My theoretical approach involves the reinterpretation of couture as objet trouvé, or found art, ready-to-wear as readymade, "art as anti-art." In a past-postmodern society where invariably, the aesthetic object is commoditized and sold, I aim to turn both heads and, surely, the world on its head, Fashion is fleeting, but a Fountain[1917] is forever.